Sarver, Pennsylvania's King of Undeath deal in doom metal with a name that telegraphs the aesthetic — slow, death-soaked, and funereal in the most satisfying way. A 2022 project that leans hard into the genre's darkest corners.

Philadelphia's Mental Funeral carry one of the most storied names in the death/doom subgenre, and the band — newly active as of 2025 — approaches the weight of that legacy with appropriately glacial heaviness. Their death/doom metal fuses the crushing desolation of funeral doom's tempos with death metal's most sepulchral vocal textures and chord structures, building an atmosphere of profound, suffocating grief. Philadelphia has a long history of dark and extreme music, and Mental Funeral plant their flag in the genre's most lugubrious, mournful corner.

Pittsburgh's Molasses Barge live up to their name with heavyweight doom metal that moves with the deliberate, unstoppable momentum of something enormous and slow. Active since 2011, they've built their reputation within Pittsburgh's consistently strong heavy underground.

Pittsburgh's Mold Farmer blend the fuzz-soaked riff worship of stoner metal with the funeral pace of doom, cultivating a sound that's both hazy and heavy in equal measure. Since 2019 they've added another layer to Pittsburgh's already rich tradition of slow and heavy music.

Pittsburgh's Monolith Wielder traffic in the smoke-thickened overlap between stoner and doom metal, building their sound around slow, heavy grooves and the kind of hazy, riff-forward inertia the city's underground does well.

A Pennsylvania drone/doom act formed in 2017, Monolithic strip the genre down to its most elemental form — sustained tones, glacial tempos, and near-meditative repetition that collapses under its own weight.

A Pennsylvania doom, stoner, and sludge outfit active since 1999, Moons traffic in slow, pulverizing riffs and narcotic haze — occupying the heavy, low-tuned intersection where all three genres bleed together.

Warren, Pennsylvania's Morganthus blend heavy, doom, and stoner metal into a slow-burning, riff-heavy sound that has been deepening since 2017. The rural northwestern Pennsylvania setting feeds naturally into the bleak and earthy weight of their compositions.

Scranton, Pennsylvania's Morkander have been fusing black and doom metal since 2014, generating slow-building, oppressive heaviness from the industrial decay of a northeastern city that lends itself naturally to bleak, heavy music.